XINYU LONG
Off-campus exhibitions I have participated in during Unit 3
OCCULT SURGE

poster of exhibition





At the end of May this year, my work was selected by Pei, a young curator from the Royal College of Art, and invited to participate in an exhibition she was curating. The exhibition ran for five days and featured my oil painting Little emotion from unit 2. It started when the curator swiped my work on social media and thought my subject matter was a good fit for the exhibition, she then came to visit me in my studio and we had a long chat in my studio in Camberwell and confirmed the final pieces to be shown. It was a great professional experience as I was exposed to how a curator operates during the planning of an exhibition, the selection of works, and throughout the duration of the exhibition.
The private viewing on opening day was a great event, busy and full of friends and other artists who came out to support me, it was a really fun and enjoyable experience to make connections and discuss context, interests and content. Being in this particular exhibition gave me the opportunity to see how my work is viewed and positioned by others. As you enter the room, my paintings are located next to the preface, to the left of the entrance door, which is a very striking position as people will start their tour from it as they enter. It blends in well with the installation and the sculpture on the floor, like something from a worldview.
Preamble:
Suddenly an eruption becomes manifest, like a surge for the outside. "Surge " a forceful upward or forward movement, there is a sudden thrust or sustained microwave, resulting in mutation/transformation. Ritual, absolute stillness, relative ecstasy, or the presence of complete self-will, the ritual splicing of mediums and connecting thoughts bordering on the physical, completing the solitary meditation on the transcendental sensory experience, all inquiring into the nature of the object and the meaning of existence, the contemplation and exploration of existence, time and space. Specially thank the amiable Jonathan for writing this foreword and making it all so wonderful.
Official report: https://www.instagram.com/p/C8h1IlsojFZ/?igsh=MXgxdGNkOWZrMjNrcw==
"Xinyu's artistic creations revolve around the theme of invisible trauma during personal growth, constructing prismatic, complex and riddle-like narrative scenes by reorganising the remnants of memory from а specific time and place. Xinyu's pictorial language reflects feminist and ecological influences, articulating the potential network of relationships between humans and natural creatures through а female perspective. ' ' Little Emotions is one of her series in which symbols and imagery flow, demonstrating the fragility and complexity of life force. The paintings are viewed as а montage of fragile moments, glowing life forms, tilted raindrops presenting the ambiguity and non-linear character of memory, and the subtle beauty and complexity of the symbolism for her give the works а lasting vitality."
'absurd, absurd'

poster of exhibition


Preamble:
The exhibition “Absurd, Absurd” is inspired by the philosophical dilemma explored by Camus and Sartre, that is, the individual's search for meaning in an absurd world. This exhibition further explores the psychological reaction of individuals after realizing the absurdity, focusing on how people try to reconstruct meaning when they feel the meaninglessness of the world, and this reconstruction process itself is full of absurd colors, constituting a double experience in the absurd.
Media Coverage:
https://m-news.artron.net/news/20241106/n2049365.html?platform=toutiao&os=android
https://m-news.artron.net/20241106/n1136504.html
In November 2024, “Absurd, Absurd”, an art exhibition curated by my friends Tingrace Li and Haocheng Zhao, was held at Shang Space Gallery in Beijing's 798 Art District. The exhibition invited eight emerging artists from the University of the Arts London and the Royal College of Art to delve into the multi-layered absurdity of human life, exploring the subtle relationship between meaning, identity and social norms, as well as the resulting feelings of absurdity and internal conflict. Our work brings the viewer into the exhibition to witness how the absurd extends itself and reflects the disorder and contradictions in social, cultural, political and personal life.
The works I have been selected for this exhibition are a group of acrylic on canvas works on the theme of ecological crisis and coexistence of all things. Although I was not able to attend the exhibition, I learned from the internet publicity and image feedback that our works present their own deep understanding and multiple interpretations of the theme of “dystopia” through diversified artistic languages and unique visual expressions, bringing the audience a unique visual experience and dimension of thinking. The works cover a wide range of art forms, demonstrating my and other artists' keen insight into the absurd phenomenon in the context of contemporary society, and revealing the profound contradictions latent in the individual and collective consciousness.
Open Wound -- Mire Lee
Turbine hall in Tate Modern. 13 Oct 2024



In October I went to see a new exhibition by a favorite artist, whose work I had previously seen in Shanghai, China, and was drawn to its subject matter and materials. This time Mire Lee transformed the halls of the Tate into a carnal machine factory, filling the space with “skin”, fabric, slime, and large-scale installations. The skin-like material is wetted under a turbine and then shed. It reminds me of scenes from the movie Alien (1979), with organs ripped from bodies, mysterious creatures, or a future fallen human world. They strike me with fear and awe, and often hide a disturbing vulnerability. You get the feeling that they are not quite of this world, as if they could malfunction or become conscious at any moment. From the perspective of being and matter, I think her work illustrates the common nature of our fleshy existence. This constant dynamic of growing, changing and decaying also seems to suggest that our lives are a constant ache due to our organism and will eventually decay. Yet, I read on the preface wall in the gallery that she says: “Ultimately, what interests me is that behind all human behavior there is always something soft and vulnerable, such as sincerity, hope, compassion, love, and a desire to be loved.” So I suddenly realized that although her work brings out emotions that are destructive, painful or disturbing, it is able to face up to those vulnerabilities that are inevitable in being a human being, and the softness of the heart in the great flesh-colored matrix. She also gave me some entry points in my creative exploration of the themes of life and death.
Being a freelance model and photographer - my link to nature
As a model
Normally, I will discuss with the photographer to choose a theme that is centered around nature, that is, to place myself in a natural environment. By using soft natural light and embracing natural objects, the photographer can not only show the elegance and softness of the body, but the photos can also imply my symbiotic relationship with nature, as if I am a part of nature myself.



by Ming Zhang


by Tingyu Gui (Tim)
by Xiaohang Gui



by Yijia Wu
My Photographic Record
The theme of my photographic creations focuses on the relationship between man and nature, and man and animals. By capturing unique moments in animals and natural environments, as well as the shadows or perspectives of human beings in these environments, I try to reproduce the concepts of symbiosis of all things and life and death. I document life on the road, traveling through different natural scenes such as deserts, oceans and forests, hoping that the photographs will convey respect for ecological diversity and the beauty of nature and inspire the viewer to think about the relationship between human beings and other forms of life and the natural environment.











Reference
Open Wound, 23 Oct,2024. [exhibition] London. [Accessed 23 Oct 2024]
Alien,1979 . [film] Directed bySir Ridley Scott. USA: 20th Century Fox. [Accessed 11 Nov 2024].